Every Christmas concert needs a "Silent Night" and this new arrangement which combines that carol with another beloved hymn, "Amazing Grace," is so flexible that it can fit into almost any flute group combination. For 3 C Flutes, 4 C Flutes, 4 C Flutes with Alto Flute, or 4 C Flutes with Alto and Bass Flutes. Perfect for that quiet, contemplative spot in your program.

Three movements from Dvorak’s popular Slavonic Dances are represented here. While it’s not exactly true that all the boring parts have been given to the piano, the keyboard does provide solid support for the flute acrobatics.

Transcriptions of the “Danse des Mirlitons,” “Marche” and “Trepak,” perfect for holiday programming.

What could be more appropriate for an ensemble of low flutes than a barbershop quartet? Follow the antics of Sweet Adeline and her nemesis Jeanie (of the Light Brown Hair) as they tussle for dominance. It's all pretty funny.

A second volume of homages to our great spiritual tradition. Flutists with intermediate to advanced skills should be comfortable playing these pieces with a minimum amount of rehearsal.

These twenty short flute duets are based on beloved spirituals and hymns. Ranging in mood from slow and lyrical to upbeat and lively, these pieces will fit easily into any church service or musical program. The parts are of equal difficulty (intermediate-advanced).

The best themes from your classical Russian favorites, all together in one piece! It ends with a whirlwind “Flight of the Bumblebee” combined with “Night on Bald Mountain.” A real crowd pleaser and very demanding for all performers.

This collection of intermediate quartets is perfect for students or busy pros who want something nice to perform but don’t have a lot of time to practice.

A freely adapted rendition of “Angels We Have Heard on High.” Appropriate for high school level players and up.

These are charming piano duets written by Faure for the daughter of his longtime mistress, Emma Bardac. The little girl, Helene, was so diminutive that she was nicknamed “Dolly.” Here the flutes are amply supported by the piano which lets the flutists interact with other, free of harmonic or accompaniment concerns.

This original work for 3 C Flutes has a twirly Waltz, a humble Rumba, a stately but cool Minuet and a snappy Tap Dance. Great for students of for flutists who want something new and fun to play.

The “Night” and “Day” come from the combination of “O Holy Night” and “I Heard the Bells on Christmas Day.” It’s heartfelt where it should be and downright jolly in the middle.

This collection of 20 duets for 2 C Flutes will come in handy during the holiday season. Perfect for church services, school concerts, or just for students and teachers to play at lessons. Each flute shares the melody.

This is the Sinfonia from Act III of “Solomon” and a great concert opener!